Groove Launch Party!

You are cordially invited to The Groove’s Official Launch Party!

It will be taking place this Monday, March 1st from 6-8PM in the Student Activities Center, 3rd floor of the Uchida Building @ 921 Boylston Street in Boston. We will have some fantastic catering, live music, a fun crowd, and a tutorial of the benefits of how to get the most out of the Berklee Groove online! Come see how it all works and have a look at our first print issue of the year, on stands now! Invite your friends and come join us in celebrating the Berklee student voice and what it’s all about!

You can RSVP your attendance to thegroove@berklee.edu. Thanks and we look forward to seeing you there!

Warm Regards,

The Groove Staff

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Interviews with Heavy Rotation Artists

Every band and artist on the new roster of Heavy Rotation Records sat down with BerkleeGroove.com to talk about their lives, music and dreams of success. Click on their name and picture to read their full interviews.

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Composition Department News

By Neara Russell

Contributing Writer

This semester, the Composition Department has been busy with plenty of performance opportunities for premiering and work-shopping students’ music. Many of these events are open to composers throughout the college, including Kalistos Chamber Orchestra and Society of Composers club concert.
Read the full story

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Westland Storms the Pop-Punk Scene

By Zac Taylor
Managing Editor

Jon, Ryan, Aaron, Jeff, & Carlo

Jon, Ryan, Aaron, Jeff, & Carlo

Power-Pop-Punk Quintet Westland has been trailblazing all across the west coast and elsewhere, making a name for themselves on the national scene. How did they make the leap from jamming in high school and meeting at Berklee to getting some notable sponsorship deals and slots at major festivals? Hard-hitting drummer and Berklee alumnus Carlo Ribaux brings The Groove up to speed. Read the full story

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O-1 Artist Visas: Have You Reached The Top?

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Maya Chosé, Esq.

You may have reached it, without even realizing. Your hard work and accomplishments may not be harnessed to their full potential if you fail to consider the sometimes elusive O-1 visa. Although at first the standard seems unattainable, a closer look reveals flexibility that rightfully allows highly accomplished individuals who may not boast a Grammy or Nobel Prize (yet) to attain O-1 status.

The O-1 visa is a non-immigrant employment based visa that is often overlooked by attorneys in favor of, for example, the H-1B category, which is less prestigious and much more restrictive. Without going into detail about the H-1B visa, some of the main  differences are that the H-1B is, in most instances, limited to six years, while the O-1 may be extended indefinitely (in one year increments), and there is no yearly quota on how many O-1 visas may be granted, as there is for most categories of H-1B.

You have worked hard, invested much and started to influence and inspire your contemporaries. Now you need more time in the United States, a breeding ground for innovation and opportunity. Prove yourself, and upgrade your status to the O-1.

 According to 8 CFR Sec. 214.2(o)(1)(i), the O-1 category is reserved for aliens who have “…extraordinary ability in the sciences, arts, education, business, or athletics, or who have a demonstrated record of extraordinary achievement in the motion picture or television industry.”  In reality, the range of occupations covered by this statement is virtually limitless. In the sciences, typical candidates are doctors and researchers; in business, qualified individuals may be entrepreneurs, fundraisers, or restaurateurs; the arts designation covers the entire creative continuum, from musicians, to dancers, fashion designers, painters, photographers, sculptors, and the list goes on.

 Although the umbrella term ‘extraordinary ability / achievement’ is used to set the standard with reference to all potential O-1 categories, this term has specially defined, nuanced meaning in the law, depending on the specific field in question. Broadly, this results in three distinct standards of varying rigor.  

 The highest standard applies to those in the fields of science, education, business, or athletics, requiring that “the person is one of the small percentage who have arisen to the very top of the field of endeavor.”[1] Acceptable evidence for successful candidacy, in lieu of an internationally recognized award such as the Nobel Prize, includes, but is not limited to, publications in reputable journals, other nationally or internationally recognized prizes or awards, membership in highly esteemed associations, participation on a judging panel, recommendations from field forerunners, and other significant original contributions to the field.  

Extraordinary achievement in the motion picture and television production industry holds the middle standard, requiring “a very high level of accomplishment …evidenced by a degree of skill and recognition significantly above that ordinarily encountered to the extent that the person is recognized as outstanding, notable, or leading in the motion picture or television field.”[2] This standard allows O-1 candidacy for many performers and crew of nationally viewed television programs. In other words, one need not be the leading performer in a major motion picture to qualify for O-1 status, as performers and crew of smaller or independent productions could just as well qualify.

The least stringent standard is reserved for the arts category, which covers a broad spectrum of creative disciplines. Extraordinary ability in the arts is defined as having reached distinction in the field, “evidenced by a degree of skill and recognition substantially above that ordinarily encountered to the extent that a person described as prominent is renowned, leading, or well-known in the field of arts.”[3] Simply put, this means a person needs only to persuade the examiner that she is above par in her particular field. Although this is the easiest of the three standards to meet, the qualifying evidence is comparable to that described in the science section above. Namely, the applicant must either boast an internationally recognized accolade such as a Grammy, or must gather a compilation of evidence including, but not limited to, high caliber recommendations, press, exhibitions / performances, proof of participation on a judging panel in a particular field, and internationally or nationally recognized prizes and awards.

Overall, a carefully crafted, convincing portfolio will build your case by highlighting your most impressive achievements through strong, well written testimonials and carefully selected documentary evidence in the context of a narrowly defined occupational specialization (e.g. music producer) within your field of expertise (e.g. music).

In addition to meeting the relevant standard described above, an additional requirement for attaining an O-1 visa is the peer consultation. This will typically come from a guild or association in the candidate’s field of expertise, after review of the candidate’s portfolio. It is important to determine the appropriate organization to reach out to early on, since each organization may have different procedures and varying processing times. 

In closing, choosing an experienced attorney who keenly understands the standards and carefully assesses the strength of each piece of evidence is paramount. Our firm works very closely with clients to ensure proper evidentiary and organizational benchmarks are satisfied so that you may be confident that your case is presented as persuasively and coherently as possible.

 


[1] 8 CFR Sec. 214.2(o)(3)(ii)

[2] 8 CFR Sec. 214.2(o)(3)(ii)

[3] 8 CFR Sec. 214.2(o)(3)(ii)

The Law Office of Maya Chosé
315 Bleecker Street, Suite 382
New York, New York 10014
Telephone: (917) 374-0057
Facsimile: (212) 675-6330 
Office Hours by appointment only

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Berklee BeanTown Jazz Festival

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Now in its ninth year, the Berklee BeanTown Jazz Festival—Boston’s largest and most popular outdoor festival—has expanded to nine days and nine stages at locations in Boston and Cambridge, and has named world-renowned drummer and Berklee professor Terri Lyne Carrington its new artistic director.

From September 18 to 26, superstars and local artists will come together in free and ticketed offerings that have drawn upwards of 70,000 people of all ages from every neighborhood in Boston and all over New England. The festival’s largest roster yet will feature performances by more than 20 bands and 130 musicians at the Berklee Performance Center (BPC), Scullers Jazz Club, Regattabar, Wally’s Cafe, Berklee’s Cafe 939 and David Friend Recital Hall, and outdoor stages along Columbus Avenue. The Berklee BeanTown Jazz Festival is sponsored by Target and Dunkin’ Donuts. For a complete list of all events, venues, and performers, view the 2009 schedule.

Tickets for all shows are on sale now, and will be available at the BPC box office at 136 Massachusetts Avenue, and through Ticketmaster at 617 931-2000 andticketmaster.com. Call 617 747-2261 or visit berkleebpc.com for more information.

Terri Lyne Carrington, a native of Medford, Massachusetts, was one of the festival’s headliners in 2008 before being named its artistic director in 2009. Her deep musical network and knowledge make her an ideal choice to lead BeanTown as it expands its scope and moves towards becoming one of the nation’s premier jazz festivals. She has received Grammy nominations both as a performer (for her solo album Real Life Story) and as a producer (for the Dianne Reeves album That Day), and has an extensive touring career of over 20 years with luminaries such as Herbie Hancock, Wayne Shorter, and Al Jarreau.

Carrington has assembled an exciting and dynamic lineup in her first year as artistic director. Highlights include three-time Grammy-winning saxophonist and Berklee alumnus Branford Marsalis (September 23, BPC); Kickin’ the Blues, a concert featuring six-time Grammy-winning saxophonist David Sanborn and vocalists Amina Claudine Myers and Kevin Mahogany (September 25, BPC); multi-Grammy-nominated vocalist Kurt Elling (September 24-25, Scullers); influential pianist/composer Ahmad Jamal (Sept. 18-19, Regattabar); and Love and Hunger, an original play about the life and work of Billie Holiday, written and performed by Berklee students (September 24, David Friend Recital Hall).

On Saturday, September 26, the free Berklee BeanTown Jazz Festival will take place from noon to 6:00 p.m. on three stages over six blocks on Columbus Avenue, starting at Massachusetts Avenue, with a shimmering array of talent.

Also at the Columbus Avenue festival site will be an expanded Target Family Park, returning with even more fun activities for the whole family, including inflatable attractions, photos, face painting, temporary tattoos, coloring and crafts, free snacks and beverages, and an instrument petting zoo. More than 80 vendor booths will offer arts, crafts, accessories, and great food representing a variety of countries.

“This festival is a testament to Boston’s reputation as a music hub and its dedication to jazz and producing and nurturing great artists,” says Terri Lyne Carrington, BeanTown Jazz Festival artistic director. “As a native and recent returnee to the area, I’m thrilled for this chance to give back to the community by throwing a big party for Boston. I hope people come out to fraternize with their neighbors, enjoy the delicious food, and hear some incredible music.”

To browse a list of Berklee BeanTown Jazz festival concerts, please view the 2009 schedule.

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Party: College Night 2009

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Thursday, September 24 at the Museum of Fine Arts from 7 until midnight. It’s all FREE with your student ID and is sure to be a great party, with plenty of music, dancing, food, and of course, ART!

7 PM – Midnight

Get ready to enjoy:

FREE CONCERT by the “funk fusion party” that is LOVE IN STOCKHOLM!

FREE DANCE PARTY with DJ GHOSTDAD as he spins electro, hip-hop, and “a little bit of everything!”

FREE SNACKS courtesy of QDOBA!

FREE PRIZES including iPods and a whole year’s supply of burritos!

Berklee College singer/songwriter LIZ LONGLEY is back by popular demand in a coffee house atmosphere. John Mayer describes her music as “just gorgeous.”

Plus, a chance to shake your thing with HOOPING HARMONY’S Hulahoops!

You may also view all of the information, on the Facebook event page, RSVP, and invite your friends!

http://www.facebook.com/home.php#/event.php?eid=140132549273&ref=mf

We look forward to seeing you next Thursday night!

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Play at Cafe 939’s Red Room

The Red Room @ Cafe 939 is now accepting applications for performance opportunities during the Fall 2009 and Spring 2010 semesters. There are a limited number of dates which include both New Brew lunchtime concerts (Tues & Thurs 1-2PM) and evening time slots.  Applications will be accepted from today through September 28 at noon.  Selected New Brew applicants will be notified by October 9.  Evening show applicants will be contacted throughout the year, if/when opportunities arise.  Please fill out the attached application and drop off at the BPC box office or email to 939booking@berklee.edu.  All current Berklee students, faculty and staff are eligible to apply.

Download Application Form [PDF]

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